STEPHEN Sondheim productions are notoriously difficult to perform, but the Showtime Singers took Sweeney Todd in their stride.

The Castle Theatre was transformed into the dark streets of 19th century London thanks to some great lighting (Stephen Griffiths) and a multi-level set (Paul Morgan), which the cast used to good effect.

The pace of the first half was great and set up the story of the Demon Barber of Fleet Street well.

The pace of the dialogue did falter in the second half, but this is a review of the first night and things will no doubt improve throughout the run.

Running at three hours, Sweeney Todd is a long but entertaining show, with some very strong performances.

Alexander Maya is excellent as Pirelli, and is given strong support from Tom Austin as Tobias. Austin’s rendition of Not While I’m Around was beautiful.

Yvonne Gulley played the beggar woman desperate for alms with sympathy and energy, and Daniel Abbott and Jessica Gittens were sweet and likeable as Anthony and Johanna.

Owen Watts and Rae Lewis as Sweeney Todd and Mrs Lovett worked very well together, Lewis particularly relishing her role. They handled the complicated timings of Sondheim’s score with ease, as did the orchestra, who played brilliantly under the baton of musical director, Harry Jespson.

Sweeney Todd, directed by Vivien Morgan, continues at the Castle Theatre until Saturday with performances tonight (Thursday), Friday and Saturday at 7.30pm, and a matinee at 2.30pm on Saturday.

Review by Julie McNicholls Vale